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The author of this very short monograph is well-known in New Zealand as a biographer and historian.
The postmodernist phase of historical theory has all but drawn to a close.(1) Nonetheless, there are still pockets of resistance and for some strange reason Britain has been one of the strongholds.
Paul Preston is a renowned historian, and is considered one of the world’s leading experts on 20th-century Spanish history. His book on the genocidal actions taken against Spanish civilians between 1936 and 1945 is an important resource that has changed historiography on the period.
Old historians, like old soldiers, don’t die; they simply fade away. A paradox of the historical profession is the widespread disregard shown towards ancestors. We all aspire to write groundbreaking work that will pass the test of time, but the sad truth is a given monograph will have a short shelf life and quickly join what G. M.
In her contribution to Scholars at War: Australasian Social Scientists, 1939–1945, Cassandra Pybus recounts the story of a late night drinking session in Melbourne in the middle of 1944.
History as a modern academic discipline and school subject has everywhere been intimately associated with the emergence of a political consciousness of nationhood.
Passing under a tessellated ply-wood portcullis to enter ‘Revel Grove’ and attend the Maryland Renaissance Festival, held in the Baltimore suburb of Crownsville, crowds of eager 21st–century revelers are greeted by none other than a faux Henry VIII, six feet plus in height, twenty stone, fists at his hips, legs akimbo in colossus fashion, and dressed in as authentic Holbein garb as a theater co
How should we live? Roman Krznaric, in The Wonderbox: Curious Histories of How to Live, tackles a question as old as civilization itself from a position more fundamental than philosophy, religion or psychology offer on their own. This position is historical.
No one would deny that Pompeii, the city destroyed by the forces of nature – as when, in the words of the poet Leopardi, ‘an overripe tomato falls on an anthill’ – has attained the status of an archetype, outpacing even Atlantis (whose story must now be explained to the unfamiliar in terms of the fate of Pompeii).
even from his mid-twenties, he was a relentless self-promoter, a writer possessed of an inner conviction to succeed and an overwhelming hunger to be heard (p. 226)