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Never has the extraordinarily rich literature on mass atrocity seemed more relevant as ongoing reports from around the world remind us that we live in an age of genocide. This vast repertoire of scholarly work can appear at maximum capacity with countless overarching theoretical frameworks of mass violence.
Thomas Paine, the most widely read political thinker in the late 18th century, played a notable role in the American Revolution, in the development of popular radicalism in Britain, and in the French Revolution.
The 1911 Revolution overthrew Manchu rule, ushering in the Republican era in China. As Xiaowei Zheng indicates at the beginning of this book, the traditional historiography on the 1911 Revolution focuses largely on the political dimension.
Work on the European revolutions of 1848 has rolled out at an accelerated rate since their 150th anniversary two decades ago. Much of this newer research has looked at previously unheralded social and cultural dimensions of the revolutionary conjuncture, but politics has remained, necessarily, at the centre of the literature.
Even after John Adams’s belated success on American television, and Alexander Hamilton’s recent conquest of Broadway, Federalists still seem to lag Jeffersonians in popular and scholarly interest.
In the last year several books appeared focused on the United States in the world that seek to combine a study of intellectual history, popular culture and politics in a long breath of the 19th century.
Thomas Jefferson has had a rough few years. Since DNA established beyond a reasonable doubt that he fathered children with his slave Sally Hemings, Jefferson has been pushed into the shadows and forced to watch as his political rivals John Adams and Alexander Hamilton enjoy the limelight.
Paradigm shifts in historiography seem to come all at once rather than being spaced evenly along the disciplinary trajectory. The last such shift in writing about slavery and race (including civil rights) in the United States came between the late 1950s and the mid-1970s.
In The Ethnographic State: France and the Invention of Moroccan Islam, Edmund Burke does the important work of historicizing colonial-era research on Morocco and Moroccans.
The Cry of the Renegade begins with the ending of the story. The book starts by mapping the procession that took place on 1 October 1920, when thousands took to the streets to pay their respects and say farewell to José Domingo Gómez Rojas, a poet, university student, and municipal clerk. In his narrative of the procession, Raymond B.