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While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
Overview
To Forget It All and Begin Anew: Reconciliation in Occupied Germany, 1944-1954 / Steven M. Schroeder
The transformation of Germany after the Second World War from Nazism into a prosperous and peaceful state has long exerted a particular fascination upon historians. In the last four decades, legions of scholars have sought to explain the presumably miraculous ‘success story’ of the Federal Republic by a range of factors.
The word ‘hostage’ might immediately bring to mind hostile situations: the entrapment of a wealthy businessman’s daughter in exchange for money, a terrorist incident (1) or a manifestation of domestic abuse.(2) However, the meaning of hostageship has undergone many transformations over time, some of which are brought under the microscope Profe
No exhibition can guarantee a museum a popular success, but the Vikings must surely offer a pretty good shot at it. Where often it is a challenge to establish the identity of an historical culture or phenomenon for a potential audience, absolutely no such problem exists for the Vikings, for everyone – even those who know nothing about history – knows about the Vikings.
The significance of ransoming has long been recognised by students of medieval chivalry and diplomacy. Seen as key to the development of an international aristocratic ethic that mitigated some of the worst excesses of medieval combat the ransom system led to a pan-European conception of a chivalric brotherhood.
‘It is astonishing’, states Panikos Panayi in the opening sentence of his monograph, ‘that almost a century after the outbreak of the First World War, no academic study has yet appeared upon the experiences of German prisoners of war in Britain’ (p. 1).
When comparing European agriculture in the early 1960s with that existing before the First World War, two principal differences are evident. Firstly, the productivity of agriculture in the 1960s was considerably higher, principally as the consequence of the intensive use of modern technologies such as modern machinery, fertilisers, pesticides or hybrid seeds.
Chris Pearson’s Mobilizing Nature: The Environmental History of War and Militarization in Modern France is a recent offering from the ever-growing subfield of environmental history that is focusing on the relationship between militaries, war and environment.