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As is often the case with (in)famous remarks attributed to prominent personages, there is some doubt about whether Winston Churchill ever did describe the traditions of the Royal Navy as comprising ‘nothing but rum, sodomy, prayers and the lash.’ Churchill himself reputedly denied that he had, confiding to his private secretary that ‘I never said it. I wish I had’ (p. 1).
After Emigrant gentlewomen: Genteel poverty and female emigration, 1830-1914, Cruelty and Companionship: Conflict in Nineteenth Century Married Life , and Ten Pound Poms: A life history of British postwar emigration to Australia with Alistair Thomson, A.
Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
With the obvious exception of Pitt the Younger, the offspring of British prime ministers who have followed their fathers into politics have at best been pale shadows of their father. Admittedly, by my reckoning nine of them since the 1832 Great Reform Act have achieved cabinet rank, but none have seemed like potential prime ministers.
We are all familiar with modern debates in the media regarding the politics of refugee rescue and arguments surrounding which immigrants should be prioritised for rescue and aid.
The Spanish Civil War began in July 1936 when a group of right-wing military officers launched a coup against the democratically-elected and progressive Popular Front government. The plight of the besieged Spanish Republic prompted an international outpouring of political and humanitarian activism.
In an age where the welfare state, the social jewel in Britain's post-war crown, seems to be at breaking point, Jacques Carré's latest book, La prison des pauvres : l'expérience des workhouses en Angleterre (The Pauper's Prison: The Experience of Workhouses in England), is a timely reminder that public welfare in Britain has a long and complicated history.
Next year will mark the centenary of one of the most extreme and brutal displays of colonial power and violence, the so called Amritsar Massacre of 1919. The massacre took place in a public park called Jallianwala Bagh in the city of Amritsar where British Indian army’s Colonel Reginald Dyer on 13 April 1919 ordered his troops to fire on unarmed protestors gathered there.
This week in Reviews in History we are focussing on a single book, Jon Wilson's India Conquered: Britain's Raj and the Chaos of Empire. We invited five reviewers to contribute to a round table discussion and take up different aspects of the book, with the author then responding to each in turn.
In Room 145 of the Ceramics Galleries of the Victoria & Albert Museum, at the top of case 50, you can see an ‘architectural fragment’, which, according to its label, ‘once ornamented a palace in Yuanmingyuan or “garden of perfect clarity”’.