Browse all Reviews
As Antoinette Burton points out in the introduction to her newest work, The Trouble with Empire: Challenges to Modern British Imperialism, there has been no shortage of blockbusters about the British Empire to be found on the shelves of local booksellers. Many of these take for granted the rise and fall narrative of Empire.
The 1950 feature film Dance Hall is one of Ealing Studios lesser-known releases. Crafted around the lives of four working-class women – played by Natasha Perry, Petula Clark, Jane Hylton and Diana Dors – the narrative shifts between the spaces of factory work, domestic life and commercial leisure. The most significance location is, however, the Chiswick Palais de Danse.
It has become a cliché to begin articles, reviews or books covering research into Britain’s far-right by explaining how the field has blossomed over recent years. Studies of the inter-war period in particular have developed over the last few decades, from a few books and articles into a large and – for those who are new to the subject – overwhelming discipline.
For more than 75 years the historiographical debate surrounding the appeasement policy of the 1930s has centred upon the notorious 1940 publication Guilty Men, in which a trio of left-leaning British journalists unleashed a vitriolic polemic castigating those men responsible for leading a hopelessly ill-prepared Britain into a catastrophic war.
Within the burgeoning field of the history of childhood this collection attempts to offer something unique. It seeks to contribute to our understanding of the lived experience of children across the British world from the mid-18th to the mid-20th century and considers the construction of childhood within a global network of empire.
During the Second World War vital judgements had to made on how equipment, tactics and logistics could all be integrated into success on the battlefield. Scientists and engineers in the United States and Britain developed new ways of thinking in order to do this, and among them was operations research.
For much of the last century the literature on the history of documentary film was small and virtually every book-length contribution intimately familiar to its committed but specialist readership.
The commemorations for the 100th anniversary of the 1916 Easter Rising in the Republic of Ireland have thrown the issue of nationalism and independence into sharp relief once again.
Few authors are as well qualified as Paul Rouse to attempt this ambitious undertaking, the first scholarly overview of the history of sport in Ireland during the last millennium.
In late 1909, a suffragette attacked the Asquith government’s youthful President of the Board of Trade, slashing his face with a whip as he prepared to give a speech in Bristol station. Briefly stunned, he fell toward the station’s tracks at the same moment a train pulled out of the station.