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Medieval Italian cities have frequently been the focus of international historical research. The particular qualities of the elites that emerged here were notably stressed by Marino Berengo in his classic book on the history of European towns.(1)
Reports of the death of the Mediterranean – on some accounts from pollution, on others from conceptual redundancy – have proved exaggerated. Conceptually, at least, ‘The Mediterranean’ flourishes as never before: an idea more than a sea. It seems ubiquitous on web sites and in book and journal titles as well as on conference posters, not to mention political action plans.
This is an accessible and engaging book about the ranks, obligations, and image of the Anglo-Saxon aristocracy, written by one of the leading historians of the period. Ann Williams is the author of The English and the Norman Conquest, Kingship and Government in Pre-Conquest England c.
Can we conceive of a peculiarly ‘late medieval’ notion of family?
Political biography has a relatively minor part in medieval and renaissance Venetian historiography when compared to other European states – such as England – or Italy’s other major republic in the period, Florence.
The history of nakedness deserves a serious history. For organised nudism or ‘naturism’ was a conscious movement initiated by Europeans at the end of the 19th century that has exerted a significant influence over society and politics in the wider world. This book is not that serious academic history. In one respect its aim is much more ambitious.
There can surely have been few other books in Asian Studies and certainly not in South East Asian Studies in recent years that have been as widely anticipated as James C. Scott’s The Art of Not Being Governed: An Anarchist History of Southeast Asia (Yale University Press, 2009).
As the editors’ introduction notes, this is the first of two volumes examining the subject of children in slavery, in a pioneering attempt to expose at least part of an area that ‘has only recently become the focus of academic research’ (p. 1).
What is a ‘Companion’ for?
The cover to the hardback edition of Edward Vallance’s A Radical History of Britain shows a Union Jack superimposed on a montage (King John signing the Magna Carta, the German Peasants’ War of 1525 (1), the Women’s Suffrage Movement, the Jarrow Crusade and the Battle of Cable Street) designed to illustrate the book’s subtitle: Visionaries, Rebels and Revol