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Married Life in the Middle Ages offers a refreshing approach to medieval marriage. Elisabeth van Houts focuses on the social and emotional sides of marriage rather than viewing marriage through a legal or institutional lens. Two aspects of van Houts’ book set it apart from others.
This interesting book is about heraldic identity which is ‘undeniably military’ In character and use. Several themes stand out.
The Festschrift, usually a gathering of articles composed to honour a scholar on his or her retirement, or to mark a significant anniversary, originated around the beginning of the 20th century, and has become an acknowledged feature of the academic landscape, albeit one rather irregular in its occurrence. Continental Festschriften have sometimes run to several volumes.
This short book deals with urban panegyric in the 12th and 13th centuries. It takes ‘urban panegyric’ to mean the ‘praise of cities’, whether expressed in (quite often poetical) texts written with the express purpose of praising cities, or as parts of texts whose titles do not necessarily suggest that praise of a city might be found there.
The recent celebrations of the 500th anniversary of the beginnings of the European Reformation have launched a steady stream of publications analysing almost every facet of the English Church at the start of the 16th century and beyond.
In theory, ‘ecclesiastical history’ is just a polysyllabic synonym for ‘church history’. In practice, however, it connotes something more precise: the history of the church institutional. Like other forms of institutional history, it has become something of a historiographical backwater – very respectable and much loved backwater, I hasten to note – in the last generation or so.
As a late medievalist who has recently moved to Scotland, I was disappointed to learn that the Burrell Collection in Glasgow – home to the many medieval treasures once owned by the shipping magnate and prolific collector, William Burrell – is closed over the next two years.
Thomas Becket, archbishop of Canterbury (1120–70) is one of the iconic figures in British history – a man who most people have not only heard of, but also have an opinion on. Yet, despite the brutality of his murder, such opinions are not always positive. In fact, this medieval archbishop is an unusually divisive figure, and always has been.
The British Library’s new exhibition ‘Anglo-Saxon Kingdoms: Art, Word, War’ is a celebration of Anglo-Saxon culture and learning, mainly represented though the texts produced during that period.
‘In me,’ wrote Bishop Thietmar of Merseburg in the early 11th century: