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Francis Bacon’s unfinished utopian novel The New Atlantis is often invoked in scholarship about early modern scientific projects.
Historically, wars have always witnessed reports of ghostly sightings and visions. However, the First World War is of particular interest as such phenomena occurred in a more modern, secular environment, at a time when science and secularisation had emerged as predominant ways of thinking about the world. In addition, the number of lives being lost due to conflict was unprecedented.
Since London’s Great Exhibition of 1851, world’s fairs and international expositions have been an important global cultural phenomenon that has defined progress and modernity for hundreds of millions of visitors.
This book focuses on the records of the Privy Wardrobe, a department of state that was responsible for supplying the king with arms and armour in the Middle Ages. The accounts of the keepers of the Privy Wardrobe survive from the 1320s to the early 15th century and contain a wealth of information about arms, armour and other items in their possession.
In his 2013 book, The Enlightenment: And Why It Still Matters, Anthony Pagden devoted a chapter to the European ‘discovery’ of ‘man in nature’, partly through their study of the individual men whom French and British explorers brought back from their voyages to the South Pacific.
In the late 1960s, argues Matthew Wilhelm Kapell in Exploring the Next Frontier, ‘Americanist scholars’ (p. 6) intentionally abandoned the project of analyzing American myth. He identifies three reasons why they did so.
John Dee is a name that often conjures up images of shady spells muttered in dark rooms with bubbling potions, but the exhibition at the Royal College of Physicians, titled Scholar, Courtier, Magician: the Lost Library of John Dee seeks to offer a view of Dee as an articulate, extremely well-read, educated man.
Early in his study of radio in the USSR, Stephen Lovell quotes Rick Altman: ‘new technologies are always born nameless’ (p. 2). New technologies, that is to say, do not arrive with a self-evident purpose, and are understood initially relative to what already exists.
Both as a historical focus and as a narrative vehicle of ‘otherness’, the depiction of technological marvels has often seemed tantalizingly vague. In Orientalist scholarship à la Said, it also ended up being ultimately irretrievable across the mutually reinforcing mirrors of East and West.