Browse all Reviews
Few authors are as well qualified as Paul Rouse to attempt this ambitious undertaking, the first scholarly overview of the history of sport in Ireland during the last millennium.
Next year will witness the 100th anniversary of the Easter Rising, the pivotal event that initiated the traumatic creation of the Irish Republic.
A stigma around the ill-defined genre of popular history lingers in the academy.
Popular newspapers in Britain are commonly criticised for providing unsophisticated, distasteful and intrusive journalism, driven by an aggressive pursuit of exclusives and an unscrupulous desire for profit.
Terence Brown’s history of the Irish Times is one of a number of similar texts published recently which indicates an upsurge of interest in the Irish media landscape – Kevin Rafter’s Irish Journalism Before Independence (1), Ann Andrews’ Newspapers and Newsmakers (2) and Mark O’Brien and Felix Larkin’s edited collect
Benedict Anderson’s conceptualisation of nations as ‘invented communities’ identified the emergence of modern nationalism through a combination of demotic print culture and the growth of capitalism.
Household goods piled along curbs with hand-lettered signs saying ‘free’; never-worn clothing hanging in closets, price tags still in place; vacated college dormitory rooms filled with abandoned throw rugs, hair dryers, bookcases; consultants who help us simplify our lives by getting rid of ‘stuff.’ This is the world of things that many Americans inhabit today.
A stitch up is a devious act that someone does to someone else. It may involve putting a person or organization, perhaps, in a position where they will be blamed for something they did not do or it might mean manipulating a situation, in unseen ways, to one’s own advantage.
Scholars of modern Jewish life have largely focused on Jews’ position in the nation-states in which they live.
‘Making is thinking’, according to the sociologist and philosopher Richard Sennett.(1) It has long been recognised that the humblest of craft objects, often (though not exclusively) produced using materials and methods which differ from those used in industrial production, have the potential to offer alternatives to the dominant culture and to challenge conventional wa