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Gary De Krey is a leading historian of mid-to-late 17th-century London. His two monographs on the City: London and the Restoration and A Fractured Society capture the complexity, dynamics and interiority of London politics in ways that have often stumped the best of historians.
Pauline Gregg’s Freeborn John was previously the most recent full biographical work on John Lilburne. Published in 1961, Gregg’s work was extremely close to H. N. Brailsford’s seminal The Levellers and the English Revolution; the two works standing for decades as the cornerstones to Leveller historiography.
As uncomfortable as it is for historians to admit, we cannot deny the veracity of the old adage, ‘history is written by the victors’. Before the advent of gender and feminist histories in the latter part of the last century, victors were almost all invariably men.
Francis Young’s Magic as a Political Crime in Medieval and Early Modern England makes an important contribution to both the historiography of political culture in medieval and early modern England and the historiography of magic. This book develops ideas from Young’s previous monograph English Catholics and the Supernatural, 1553–1829.
The field of queenship is continually expanding and drawing attention from scholars. Over the years, and especially through the Queenship and Power series at Palgrave Macmillan, a notable number of studies have emerged highlighting the importance of queens as consorts, regnants, and regents during the early modern period.
Susan Doran is an established, well-respected Elizabethan historian, and her most recent book confirms that she can successfully analyze Elizabeth in ways accessible and interesting to both an academic audience and a popular one.
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).
Elizabeth I (1533–1603) has been the subject of many fictional representations, some as early as the 1680s, speculating about her private life. Theatre plays, novels and later also films explored the allegations made against her during her life-time, such as suggestions that the Queen was infertile, that she was malformed, or in fact, a man or a hermaphrodite (p. 355).
Gemma Allen’s well-conceived and meticulously researched first book explores the ways in which themes of education, piety and politics interacted and impacted on the lives of the Cooke sisters in late 16th-century England.
The Name of a Queen: William Fleetwood’s Itinerarium ad Windsor is a valuable piece of research, as it publishes a very intriguing and little-studied source written in 1575. In analysing this source which is considered as both a ‘document and [a] fiction’ (pp.