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In Enslaved Women in America: From Colonial Times to Emancipation, Emily West masterfully presents the narrative of women’s lived experiences in slavery through the prism of gender.
This is an important and timely book. Engaging intelligently with a range of sources and historiographical traditions, Simon MacLean tells the story of tenth-century queenship through the prism of the Ottonian royal family. The Ottonians ruled East Francia (roughly speaking, Germany) from 919 to 1024, and from 961 northern Italy too.
Before beginning this review, it is important to frame the commentary that follows with two caveats; first, that I (or we as academics), am not the intended audience of this book and secondly, that although I have some criticisms of this work which I will discuss further below, I did genuinely enjoy reading this.
In the latest of our occasional Reviews in History podcast series, Jordan Landes talks to Laura Beers about her recent biography of the Labour legend.
Laura Beers is Birmingham Fellow in Modern British History at the University of Birmingham.
Jordan Landes is history subject librarian at Senate House Library, University of London.
The field of queenship is continually expanding and drawing attention from scholars. Over the years, and especially through the Queenship and Power series at Palgrave Macmillan, a notable number of studies have emerged highlighting the importance of queens as consorts, regnants, and regents during the early modern period.
For more than 75 years the historiographical debate surrounding the appeasement policy of the 1930s has centred upon the notorious 1940 publication Guilty Men, in which a trio of left-leaning British journalists unleashed a vitriolic polemic castigating those men responsible for leading a hopelessly ill-prepared Britain into a catastrophic war.
Susan Doran is an established, well-respected Elizabethan historian, and her most recent book confirms that she can successfully analyze Elizabeth in ways accessible and interesting to both an academic audience and a popular one.
In late 1909, a suffragette attacked the Asquith government’s youthful President of the Board of Trade, slashing his face with a whip as he prepared to give a speech in Bristol station. Briefly stunned, he fell toward the station’s tracks at the same moment a train pulled out of the station.
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).
W. B. Yeats’s famous poem, ‘Easter 1916’, is an ambivalent celebration of the new pantheon of heroes created when, through the means of a failed nationalist rebellion in Dublin, ‘a terrible beauty is born’.