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The historian Lucy Delap, author of The Feminist Avant-Garde: Transatlantic Encounters of the Early Twentieth Century (CUP, 2007), winner of the 2008 Women’s History Network Prize, has now published another boo
About two thirds of the way through his brief but informative survey of Global Cities: A Short History Greg Clark, an international mover and shaker in the field and Fellow at the Global Cities Initiative (and other prominent think-tanks and universities), reproduces a graph, based on Google Ngram Viewer data, measuring the approximate occurrence of ‘world’ and ‘global city’ in book fo
How does one define empire? What are the characteristics of a successful empire? These two questions arise foremost after reading John Darwin’s monumental masterpiece After Tamerlane. In nine succinct chapters with informative titles, Darwin encompassed 600 years of global history, supported by illustrations and maps and for those interested, suggestions for further reading.
Randall Packard’s The Making of a Tropical Disease: A Short History of Malaria, published in 2007, was a timely overview of the history of one of the most complex and ancient of all diseases. Indeed, Packard’s sub-title: ‘a short history of malaria’ is a modest one considering the depth and breadth of the range of topics relating to the history of malaria that Packard covers.
Lynn Hunt’s new book, Writing History in the Global Era, places an important question on the table: ‘Is globalization the new theory that will reinvigorate history? Or will it choke off all other possible contenders, leaving in place only the inevitability of modernization of the world on the Western model?’ (p.
Four years ago I published a review in this journal of a book on The Origins of Racism in the West.(1) I would like to begin the analysis of the volume by Bethencourt in the same way in which I began my piece on The Origins of Racism in the West, i.e.
How should we live? Roman Krznaric, in The Wonderbox: Curious Histories of How to Live, tackles a question as old as civilization itself from a position more fundamental than philosophy, religion or psychology offer on their own. This position is historical.
The writing of history – any history – is shaped by the intellectual environment in which it is written, and by the preoccupations of its writers. As Christopher Tyerman acknowledges in his prefatory remarks, ‘writing history is not a neutral revelation but a malleable, personal, contingent, cultural activity’ (p. xi).
The first principle of understanding history, I was taught, is to sympathize with the historical actors, to immerse oneself in their context and perspective.(1) Otherwise, history becomes a fabricated reconstruction – more about the writer's ideology than the events of the past.
'It is not necessary to be dull to write about history', Ged Martin remarks (p. 8). One suspects that many historians would add, 'but it helps'. This book is a wonderful antidote to that excessive seriousness. The style is crisp, paradox and aphorism abound – 'historians love paradoxes', Martin says (p.