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Contemporary interest in the period of the Crusades has intensified in the last decade or so, partly because of the inflammatory invocations of holy war and jihad made immediately after the traumatic events of 9/11.
In 2001, Frederick Cooper wrote that ‘globalization talk is influential – and deeply misleading – for assuming coherence and direction instead of probing causes and processes’.(1) Burbank and Cooper heed this warning and focus very clearly and ably on the causes and processes of global empire building in this new book.
In the opening of his recent volume, Nature and History in the Potomac Country, historian James D. Rice informs his readers that the idea for the book began with what he perceived as a ‘hole in the map’ (p. 1).
In 1994 I published a now widely cited and highly regarded volume entitled Immigration, Ethnicity and Racism in Britain, 1815–1914 (1), which, at the time, faced critical comment.
The Hanged Man is a fascinating account of a miracle and its context. Robert Bartlett, a medieval historian well known for his earlier work on ordeal, conquest, the expansion of Europe and the lives of saints, combines his many fields of expertise in order to analyse the story of one man's death and alleged resurrection.
Many writers attribute Ireland's problems to colonialism. Most, however, make only limited reference to literature on colonialism elsewhere, and debate is hampered by the intimacy of the Irish academic and intellectual scene, which means criticism is muffled by tact or excessively personalised.
First published in 1961, Holt's Modern History of the Sudan deservedly established itself as the standard introduction to the subject. Holt revised the work in 1963; since 1979 he has collaborated with Martin Daly on further - slightly retitled - editions, of which this is the most recent.
Peter Russell's Henry 'the Navigator' is one of those rare books which has had classic, or rather legendary, status even before it was published.
In 1992, the National Gallery of Art in Washington, D.C., sponsored a special exhibition to mark 1492, the five hundredth anniversary of the Discovery of America. Reflecting the times in the 1990s, the exhibition tried to show the essential equality of all cultures around the globe at the end of the fifteenth century.