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Confederate Reckoning is a ‘political history of the unfranchised’ (p. 7). It joins a significant body of scholarship that has sought to expand the category of ‘the political’ by taking into account the behaviour and ideas of those who, in formal terms, were excluded from politics.
In 1977 the American scholar Morris Dickstein wrote:
[t]he sixties are over but they remain the watershed of our recent cultural history; they continue to affect the ambiance of our lives in innumerable ways.(1)
During the second half of the 20th century, scandals arising from abuses suffered by some children in residential care in the UK encouraged the uncovering of the experiences of looked-after children in the past.
In the late 1980s, a promising young African-American actor named Denzel Washington was asked to take a leading role in the movie, Glory. Directed by Edward Zwick, a white liberal, Glory told the story of a relatively minor action in the American Civil War.
Issues related to homosexuality are currently at the forefront of public discourse. Globally, but particularly in the United States, marriage equity, military service, queer youth and bullying are not just matters of policy debate, but have engaged popular concern and action as well.
Often forgotten in any analysis of American constitutional rights is the extent to which those rights are grounded in the state-level revolutionary settlements prior to 1787.
I suspect that, at some level, Eric Foner was always going to write this book. He openly acknowledges in The Fiery Trial that Lincoln has always loomed large in his research – even if he had not hitherto taken centre stage as subject – ever since he wrote his doctoral dissertation over four decades ago.
Celebrity is becoming a hot topic for academics of all kinds, witnessed by the launch of the journal Celebrity Studies earlier this year.
For many years now the letters written by Austen and Neville Chamberlain to their spinster sisters, Ida and Hilda, have been recognised as an invaluable source for students of British political history from the middle of the First World War to the beginning of the Second. The superb editions produced by Robert Self have now made them widely available.
For more than half its existence as a discrete though intensely varied musical form, jazz lacked a scholarly literature. Periodicals ruled the roost. In the USA Metronome, founded in 1881, and Downbeat, first published in 1936, dominated, reviewing records, profiling leading instrumentalists and chronicling music industry gossip.