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With contemporary Japanese-Korean relations so inextricably entrenched within contentious politics of national identity and divergent expressions of historical consciousness, Jun Uchida’s Brokers of Empire could not be a more welcome addition to the field of modern East Asian history.
Paul O’Leary’s Claiming the Streets: Processions and Urban Culture in South Wales, c.1830–1880 provides a detailed and lively account of mid 19th-century processional culture. It takes us on a journey through Cardiff, Merthyr Tydfil, Neath and Swansea and investigates the diversity and complexity of street procession in these towns.
‘A detective’, wrote a crime-fiction reviewer in 1932, ‘should have something of the god about him’:
In 1872 the Reverend T. DeWitt Talmage composed an essay entitled ‘After midnight’ in which he put forward the notion that night-time in the city passes through four distinct phases or ‘watches’ (pp. 55–6). Night was not one entity that lasted from dusk until dawn, instead it moved in three hour periods commencing at 6pm.
Magic is difficult to historicize. There are many reasons for this. To begin with, it has long been scorned by both rationalists and the religious, so that people are often reluctant to confess to believing in it. Indeed in the period of this study many of its forms were illegal, at least as soon as they were used to make money.
Some years ago, in the midst of a conversation about tourism and travelling, a friend from one of Britain’s former colonies remarked how shocked she had been to see ‘white people begging’ during her first trip abroad to Australia.
In the past 40 years the history of sexuality has gone from being an insurgent force, questioning the very nature of what can be studied as history, to an established part of the field. This book underlines that point, for it is rare today to find such a traditional political history.
This impressive book brings together two strands of media history to create a new narrative, attempting to explain how and why newspaper journalism in Britain and the United States was transformed between the 1830s and the first decades of the 20th century, establishing the popular style of journalism we know today.
‘I wish I knew a history was a history,’ remarks Gertrude Stein in A Geographical History of America.
And whenever we abuse that reason, and act beneath the character and dignity of a rational creature, we lose the divine image in that respect; we have nothing to denominate us men but outward shape; or, in other words, we become brutes in the shapes of men.(1)