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The history of the Huguenot diaspora following the revocation of the Edict of Nantes has been widely chronicled. First, exiled Huguenots wrote narratives of their escape in order to preserve the memory of their hardship – no doubt at the prompting of numerous individuals eager to hear their compelling stories.
A stigma around the ill-defined genre of popular history lingers in the academy.
Popular newspapers in Britain are commonly criticised for providing unsophisticated, distasteful and intrusive journalism, driven by an aggressive pursuit of exclusives and an unscrupulous desire for profit.
Interpreting African-American history at historic sites is an essential but often complicated task. This timely and important volume seeks to improve and suggest successful plans for historical interpretation, and contains nearly two dozen essays spanning from the colonial period to the 21st century.
Across the 17th century, more than 350,000 English people went to America. Yet many, if not most of those who went brought with them a keen sense of their bringing ‘Englishness’ with them, rather than transforming into ‘Americans’. Emigrants travelled to the New World for a variety of reasons.
The literature surrounding British attitudes toward the American Civil War has a long history extending almost back to the conflict itself, in part because it speaks to a question that has long intrigued academic and popular readers alike; namely, how might the outcome of the conflict been different if the British government had extended diplomatic recognition to the Confederacy or even interve
Terence Brown’s history of the Irish Times is one of a number of similar texts published recently which indicates an upsurge of interest in the Irish media landscape – Kevin Rafter’s Irish Journalism Before Independence (1), Ann Andrews’ Newspapers and Newsmakers (2) and Mark O’Brien and Felix Larkin’s edited collect
In between small model spitfires and Sherman tank key rings, visitors browsing the shelves of the Imperial War Museum’s gift shop will find their gaze met by the reassuringly familiar smile of a round-faced rag doll, beaming from the side of a tote bag.
In this inspiring new study, Rebecca Houze builds on her series of excellent articles, in Journal of Design History, Studies in the Decorative Arts, Centropa and elsewhere, which deal with Austrian and Hungarian applied arts at the turn of the century.
Essay collections are always a mixed bag, and this one is more muddled than most. The warning signs are clear. The volume is part of a series ominously titled ‘Austrian Studies in English’. Six of the 15 essays were papers presented at a 2010 conference of the same name at the University of Vienna.