Browse all Reviews
Michael Huckabee, former Arkansas governor, frequent presidential candidate, and former Fox News host, opens the election year reissue of his 2014 manifesto God, Guns, Grits, and Gravy with the arresting anecdote of 2012’s ‘Chick-fil-A Appreciation Day’.
Owen Hatherley’s latest book is a compelling exploration of one way in which the British political establishment and the British public (mis)interpret, (mis)remember, and (fail to) engage with history. The history with which Hatherley is concerned is the Attlee government of 1945–51, set within the wider era described mostly, vaguely, as ‘post-war’.
The sub-title says it all. This is a book about the elites of Belle Epoque Paris, primarily about the cultural elites, but also about their patrons, high society, industrialists and fashion designers, and all those who made the headline contributions to that Paris which sticks in the popular imagination.
Historians of pretty well every field and period have long acknowledged that historical enquiry cannot (indeed, must not) be limited to describing the actions and experiences of elites.
Jason Garner's monograph on the origins of the Federación Anarquista Ibérica (FAI) is an illuminating and much-welcomed addition to the inchoate body of English-language scholarship dealing specifically with pre-Civil War Spanish anarchism.
Death and Survival is a collection of eight previously published articles and chapters with a new preface, introduction and conclusion. Luckin is without a doubt one of the most important urban environmental historians of London.
Exile has long been central to our understanding of certain Early Modern topics. The flight of English Protestants, and then Catholics, to the Continent in the 16th century, or the exodus of Huguenots (many to England and Ireland) after the Revocation of the Edict of Nantes in the 17th, are perhaps the best known examples to UK audiences.
The 1950 feature film Dance Hall is one of Ealing Studios lesser-known releases. Crafted around the lives of four working-class women – played by Natasha Perry, Petula Clark, Jane Hylton and Diana Dors – the narrative shifts between the spaces of factory work, domestic life and commercial leisure. The most significance location is, however, the Chiswick Palais de Danse.
Grootplaas, a produce farm that specialises in citrus and numbers around 900 hectares in size, is the subject of Maxim Bolt’s latest monograph, Zimbabwe’s Migrants and South Africa’s Border Farms: The Roots of Impermanence.