Browse all Reviews
A lack of institutional documentation has rendered it difficult for scholars of early modernity to reconstruct the significance of apostasy from Judaism before the Council of Trent (1545-1563). As such, the reasons behind the conversion of Jews to Catholicism, especially in Renaissance Italy, remain understudied to this day.
Hannah Barker’s book is a thorough and engaging evaluation of late medieval slave trading practices in the Mediterranean. The tile is taken from the 15th-century recollection and denunciation of an Alexandrian slave market by Felix Fabri, a German friar (p. 209).
The Birth of Modern Belief is seriously good. It is erudite, insightful, and cogent; but, above all, it enables us to think hard about the relationship between our past and our present.
The Sacred Home in Renaissance Italy presents itself as an important and innovative book in the panorama of the contemporary historical research of the Renaissance.
Historically, wars have always witnessed reports of ghostly sightings and visions. However, the First World War is of particular interest as such phenomena occurred in a more modern, secular environment, at a time when science and secularisation had emerged as predominant ways of thinking about the world. In addition, the number of lives being lost due to conflict was unprecedented.
In Geoffrey Chaucer’s The Canon’s Yeoman’s Prologue and Tale, the phrase ‘ignotum per ignocius’ is used in connection with the so-called ‘sliding science’ at which the would-be alchemists of the tale labour so diligently.(1) The phrase means to explain the unknown by the more unknown.
Since the turn of the millennium it has become increasingly common for general histories of magic and witchcraft to include a section on the phenomenon of magic in the contemporary western world, but the precise relationship between contemporary manifestations of magical belief and their historical antecedents is rarely explored.
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
In The Ethnographic State: France and the Invention of Moroccan Islam, Edmund Burke does the important work of historicizing colonial-era research on Morocco and Moroccans.
Dušan Zupka draws on the rich scholarship of medieval rituals and symbolic communication produced by medievalists working mainly on western European material, and endeavours to show that the same types of ritual communication existed in Árpád-age Hungary.