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Historians of the British Empire have long recognized the hunger strike—famously embraced by suffragettes in Britain, and by nationalists in Ireland and India—as a transnational tactic of democratic, anti-colonial resistance.
‘The speed king of Asia’ (p. 472) is not an honorific normally associated with the subject of this new biography by Ramachandra Guha, the Indian historian, cricket writer, and journalist. It was found in a letter from a British Quaker admirer of Gandhi who had accompanied the 64-year-old on his vigorous campaigning tour through southern India in support of rights for Harijans
In this concise monograph, Rachel Feinstein explores the centrality of sexual violence against enslaved women in the formation of white gendered identities. Using a variety of theoretical lenses, including intersectionality and systemic racism theory, Feinstein places racist sexual violence into its broader context, tracing the legacies of such violence in today’s behaviour and discourse.
In 1899 the Straits Chinese physician and community leader Lim Boon Keng made the case that female education was beneficial to the community as a whole: ‘Keep your women in a low, ignorant and servile state, and in time you will become a low, ignorant and servile people – male and female!’ (p.
‘This book’, writes Jeffrey A. Auerbach in his Introduction to Imperial Boredom, ‘is very much about how people felt’ [his italics]. As such, it takes its place in a growing body of scholarship that explores through individual lives the mind-set that under-pinned the empire project, both individually and on a collective level.
W. B. Yeats’s famous poem, ‘Easter 1916’, is an ambivalent celebration of the new pantheon of heroes created when, through the means of a failed nationalist rebellion in Dublin, ‘a terrible beauty is born’.
Once upon a time, as every schoolboy knew, the history of the British Empire was the history of great men.
The subject of sati – more commonly known to Anglophone readers as ‘suttee’, a term which was used by 18th- and 19th-century writers to signify the self-immolation of Hindu widows on the funeral pyres of their husbands (1) – has long been of interest to historians.
Historians with an interest in personal and public memory know a great deal about the challenges entailed in attempting to document the affective contours of past and present lives.
In this innovative and interesting study, Antoinette Burton raises questions and extends the parameters of discussion in relation to a number of key issues that concern the relationship between women, the home and colonial modernity in twentieth century colonial India.