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In the summer of 1948 Alexander Fleming, known around the world as the discoverer of penicillin, visited Spain. Fleming had published his famous paper on the antimicrobial effect of the Penicillium notatum mould in 1929.
‘Horrible, horrible, it’s horrible.’
‘Oh my! This is gorgeous.’
‘You are gonna catch a cold.’
‘Well if I stood next to her I would be the happiest man on earth.’
This edited collection fills some important gaps in the historiography of rulership and the interactions between royal couples, particularly in cases when the man is not the legitimate heir.
While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
The SS-Helferinnenkorps, the women who volunteered to support the SS, and who formed a female Nazi elite, have to date been the subject of minimal research. Until now, very little was known about these women, where they came from, why they volunteered, how they were trained, where they worked, and what became of them after the war.
Deborah Simonton’s Women in European Culture and Society: Gender, Skill and Identity from 1700 purports a ‘straightforward agenda – to explore European women’s relationship to their culture and society since about 1700’ (p. 1).
This edited collection of essays, published to mark the 20th anniversary of the journal Gender and History, is a welcome and timely reminder of the way in which gender and women’s history has successfully challenged historical orthodoxies, has been used to scrutinize and enrich established timeframes for the past and has vividly exposed the way in which female agency has too often been
For obvious reasons, the inter-war period has long been a flourishing area of enquiry in German history; in comparison, the literature on France has looked like rather a poor relation.
The Surplus Woman is an important contribution to a growing international literature on the history of single women. Its chief strength is its affirmation of marital status as a central category of analysis for historians.
In the introductory chapter to her engaging book, Ruth Watts remarks on the 'dissonance' between women and science and the seeming paucity of scholarly literature on the subject. Upon deeper investigation, however, Watts soon discovers that she is mistaken.