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In some ways it is a scandal that it has taken until now for an English-language book on the thought of Reinhard Koselleck to appear. Then again, as Olsen writes in the introduction to this work, Koselleck has always been somewhat of an outsider vis-a-vis the historical profession.
A book-length examination of the work of Frank Ankersmit has been long overdue. Ankersmit occupies a curious position in regards to the various skirmishes taking place over the philosophy of history in the past 30 years or so.
One could perhaps argue that, so far as the popular academic imagination is concerned, America has never had much of a reputation so far as historical theory goes.
Hayden White is a controversial figure in the world of history. Study any textbook on the theory and philosophy of history, and you will be assured that his 1973 book Metahistory marked a revolutionary turning point in historical theory.
In History in the Discursive Condition (2011) – a follow up to her (for me) ground-breaking Realism and Consensus (1), and Sequel to History: Postmodernism and the Crisis of Representational Time (2) – Elizabeth Deeds Ermarth, a student of interdisciplinary cultural history and theory, explores the practical implicat
Over the past few decades we have been invited to rethink history, pursue it, practise it, defend it, refigure it, and generally consider what it is, what it’s for, and whether we really need to bother with it. Now, just as we think it must all be done and dusted, if not done to death, we are offered more advice on ‘doing’ it.
How far should the practising historian accept the conclusion of the idealist analysis of history carried out by Michael Oakeshott in Experience and Its Modes (1), probably the most brilliant book on the philosophy of history written in the first half of the 20th century (even possibly includi
Russell, Conrad Sebastian Robert, Fifth Earl Russell (1937–2004)
'It is not necessary to be dull to write about history', Ged Martin remarks (p. 8). One suspects that many historians would add, 'but it helps'. This book is a wonderful antidote to that excessive seriousness. The style is crisp, paradox and aphorism abound – 'historians love paradoxes', Martin says (p.
It is given to few to be accorded ‘classic’ status in their own lifetime, but Marc Ferro has qualified twice over – not only for the work under discussion here, but also for his account of The Great War, 1914–1918 (1973).