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Paradigm shifts in historiography seem to come all at once rather than being spaced evenly along the disciplinary trajectory. The last such shift in writing about slavery and race (including civil rights) in the United States came between the late 1950s and the mid-1970s.
This study situates itself in the context of recent efforts to chart the emergence of the historical profession and the development of national historiographical traditions on a comparative basis.
One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
The Cold War, understandably, was for a long time viewed through a prism of the confrontation between the Soviet Union, it allies and the United States-led West. Conflicts, even in what used to be termed the Third World, were often described as proxy wars.
Jessica M. Frazier’s Women’s Antiwar Diplomacy During the Vietnam War Era illuminates a consistently overlooked feature of anti-war activism; the transnational exchanges and relationships forged between US women and their Vietnamese counterparts.
In The Ethnographic State: France and the Invention of Moroccan Islam, Edmund Burke does the important work of historicizing colonial-era research on Morocco and Moroccans.
Americans have a deep-rooted fascination with family sagas.
Over 80,000 cases of shell-shock were officially recognised by British Army personnel during the First World War. The diagnosis remains a culturally and historically resonant symbol of the First World War in Britain. Its significance has been influenced by the famous post-war memoirs of ex-servicemen who recounted their personal experiences of shell-shock.
Since London’s Great Exhibition of 1851, world’s fairs and international expositions have been an important global cultural phenomenon that has defined progress and modernity for hundreds of millions of visitors.
Amelia Bonea has presented a timely book that combines the mechanisms of technology and news making in critically meaningful ways to present the production of printed news as contingent, variable and even accidental.