Browse all Reviews
Passing under a tessellated ply-wood portcullis to enter ‘Revel Grove’ and attend the Maryland Renaissance Festival, held in the Baltimore suburb of Crownsville, crowds of eager 21st–century revelers are greeted by none other than a faux Henry VIII, six feet plus in height, twenty stone, fists at his hips, legs akimbo in colossus fashion, and dressed in as authentic Holbein garb as a theater co
The liberal enlightenment idea of progress has promised many benefits over the past 300 years. Liberal progress, we have been told, would provide cures for diseases, remedies for ignorance, alternatives to superstition, and antidotes to poverty. Nothing however has raised higher expectations than liberalism’s claim that it could put an end to war.
The first thing that stands out from this study is how passionate and volcanic was E. P. Thompson’s intellectual life as a historian, Marxist thinker, and informed campaigner. He was devoted to reason. Indeed, one of the left-wing journals with which he was involved was entitled The New Reasoner.
The thesis and value of Andrew Elliott’s new study of ‘medieval film’ are neatly encapsulated by his reminding us at the end of the book’s preface that, in the medieval tradition, the Grail quest involved asking, not answering, the right questions.
In History in the Discursive Condition (2011) – a follow up to her (for me) ground-breaking Realism and Consensus (1), and Sequel to History: Postmodernism and the Crisis of Representational Time (2) – Elizabeth Deeds Ermarth, a student of interdisciplinary cultural history and theory, explores the practical implicat
Over the past few decades we have been invited to rethink history, pursue it, practise it, defend it, refigure it, and generally consider what it is, what it’s for, and whether we really need to bother with it. Now, just as we think it must all be done and dusted, if not done to death, we are offered more advice on ‘doing’ it.
The former Master of Peterhouse, Herbert Butterfield, has become something of a cottage industry over the past ten years or so, with a number of monographs resurrecting a career that had previously fallen into neglect.
‘Structure’ is still an unfashionable word in history. Since the late 1980s, ‘post-structuralism’ (or, more commonly, its elastic cousin postmodernism) has seemed to dominate much historical writing and methodology. The ‘linguistic turn’ has sharpened historians’ attention to the power of language.
This edited collection of essays, published to mark the 20th anniversary of the journal Gender and History, is a welcome and timely reminder of the way in which gender and women’s history has successfully challenged historical orthodoxies, has been used to scrutinize and enrich established timeframes for the past and has vividly exposed the way in which female agency has too often been
‘We are most of us governed by epistemologies that we know to be wrong’: Gregory Bateson’s observation summarizes what motivates Keith Jenkins’s latest book.(1) In this collection of essays written and published over the last 15 years (including not only a foreword by Hayden White and an afterword by Alun Munslow, but also responses from Perez Zagorin and Michael C.