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It is the title which gives away a great deal about this very fine book, and should alert us to Tom Lambert’s ambition for this project, which has grown out of a University of Durham PhD thesis. ‘Law’ positions it as a work of legal history, but it is the component of ‘order’ which offers the second and bolder half of Lambert’s argument.
Pauline Gregg’s Freeborn John was previously the most recent full biographical work on John Lilburne. Published in 1961, Gregg’s work was extremely close to H. N. Brailsford’s seminal The Levellers and the English Revolution; the two works standing for decades as the cornerstones to Leveller historiography.
There is no more exemplary figurehead for the history of legal culture than the late Christopher W. Brooks. As the editors of this volume observe, by the time of his death in 2014 Brooks ‘had established a firm reputation as the most important and influential historian of law and society in early modern England’ (p. 1).
Although England was just about early modern Europe’s least violent place to live it has, paradoxically, produced far and away the most research on the problem of homicide. The trend shows no sign of abating, as recent works by Lockwood and Sharpe demonstrate.
Married Life in the Middle Ages offers a refreshing approach to medieval marriage. Elisabeth van Houts focuses on the social and emotional sides of marriage rather than viewing marriage through a legal or institutional lens. Two aspects of van Houts’ book set it apart from others.
There are many unsettling images that come to mind when one thinks of war, images that contrast starkly with commemorations that come after. Vulnerable, scared people dragged from their homes, animals carried off, and children ripped from their families all elicit very different sensations than that of a dignified memorial, a political treatise, or a celebratory account.
The Festschrift, usually a gathering of articles composed to honour a scholar on his or her retirement, or to mark a significant anniversary, originated around the beginning of the 20th century, and has become an acknowledged feature of the academic landscape, albeit one rather irregular in its occurrence. Continental Festschriften have sometimes run to several volumes.
People down on their luck fleeing to the colonies on the first available ship is a mainstay of 19th century fiction. It was a convenient way for an author to either get rid of an unnecessary character, or to bring a surprise new person into the narrative mix with dramatic effect.
Hannah Barker’s book is a thorough and engaging evaluation of late medieval slave trading practices in the Mediterranean. The tile is taken from the 15th-century recollection and denunciation of an Alexandrian slave market by Felix Fabri, a German friar (p. 209).
Scholarly historians as a group are often criticized for writing books that speak only to other academics and that are not accessible to a general audience. This criticism is unfair, as many professional historians who have made significant interventions in our understanding of history have also written books that bring history alive for the average reader. W.