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I.
Since the turn of the millennium it has become increasingly common for general histories of magic and witchcraft to include a section on the phenomenon of magic in the contemporary western world, but the precise relationship between contemporary manifestations of magical belief and their historical antecedents is rarely explored.
In this impressive and well-researched book, L. H. Roper offers an innovative examination of the 17th-century English global empire to establish exactly who directed English colonial expansion during its nascent years.
The renewed focus of many historians on post-Reformation English Catholicism in the last few decades has meant that the expatriate English Catholic community in Continental Europe, which produced and preserved many of the records of the English Catholic community, is often a main source of evidence.
Gorrochategui’s book is a revised and updated translation of the Spanish edition (Spanish Ministry of Defence, 2011). It sheds new light on an obscure, but fundamental, episode of the undeclared Anglo-Spanish War (1585-1604) that took place a year after the Spanish Armada.
Jonathan Scott, Professor of History at the University of Auckland, in his recent book, How the Old World Ended (2019), has provided an intellectual bridge between the early modern period and the modern world, which was born out of the Industrial Revolution.
‘Artificial intelligence (AI)’ is a loaded term, rife with connotative contradiction that inspires debate, disagreement, and disillusion. But what is AI, really? How have our expectations of computational capability, and even a robot Armageddon, come to be? Why does it matter how we talk about increasingly sophisticated technology, not just in expository prose, but also in fiction?
If it is hard to write a book review, then it is much harder to make a book. Anthony Grafton's latest monograph, Inky Fingers, puts the difficulties of labour at the centre of this engaging study of book production in early modern Europe and North America (the latter included despite the expected limitations of the subtitle).