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It is hard to review this book without lapsing into the language of academic letters of recommendation: it is brilliant, illuminating. The genre is the Anglo-American 'book of the thesis’. This genre contrasts with that of first books from young German and French scholars in that the author has taken years to revise his 2015 Harvard thesis thoroughly.
Sometimes (not often enough) an academic book comes along that ticks all the boxes: it is based on thorough research, spanning archives on different continents, engaging with rich and varied source materials; it is held together by a tight set of themes; it is written in beautiful prose.
Historians of the Cold War have long relished the incongruous image of the infamous July 1959 ‘Kitchen Debate’ that saw Soviet Premier Nikita Khrushchev and Vice President Richard Nixon debate the merits of their respective philosophies in a model American kitchen at the American National Exhibition in Moscow’s Sokol’niki Park.
The study of the early modern home has drawn mounting interest from academic historians over the past decade.
From the 1920s-1940s, in America and Britain, many writers, artists, poets, musicians and other cultural workers were drawn to socially democratic artforms, influenced by Popular Front cultural aesthetics.