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This book considers one of the less obvious (but arguably more important) passions – wonder – and the ways in which that emotion intersected with skepticism in the Middle Ages.
The theme which comes out most clearly from Rebecca Rist’s study of the relationship between the papacy and Judaism (following her earlier work on the papacy and crusading (1)) is that as the defender of Christian society, it was the papacy’s concern both to uphold a tradition of protecting Jews as witnesses to Christ’s crucifixion, but also to defend true Christians f
In the latest of our occasional Reviews in History podcast series, Jordan Landes interviews Darin Hayton about the latter's recent book on the use of astrology as a political tool in an early Renaissance court.
Darin Hayton is associate professor of history of science at Haverford College.
Carlos Eire’s Reformations aims to provide a readership of ‘beginners and nonspecialists’ (p. xii) with an introduction to European history between 1450 and 1650. Eire narrows down this immense task by concentrating his narrative on the history of religion.
Dušan Zupka draws on the rich scholarship of medieval rituals and symbolic communication produced by medievalists working mainly on western European material, and endeavours to show that the same types of ritual communication existed in Árpád-age Hungary.
I imagine that in recent years John Witte, the series editor of the Cambridge Studies in Law and Christianity, frequently crossed paths with the author of the monograph under review here. Both of them work as faculty at Emory University in Atlanta and are senior members of Emory’s Center for the Study of Law and Religion, with Witte serving as its current director.
For generations of historians, the fall of the Christian-held city of Acre to the Mamluk forces of al-Ashraf Khalil in 1291 brought about the end of the crusading era.
This is an extremely ambitious, thought-provoking, challenging and inspiring book.
Empires throughout world history have more often than not seen themselves as part of some cosmic grand narrative, set on earth to enact the will of the god or gods, spiritual or secular, they claim to serve. The Carolingian Empire was no exception.
In Geoffrey Chaucer’s The Canon’s Yeoman’s Prologue and Tale, the phrase ‘ignotum per ignocius’ is used in connection with the so-called ‘sliding science’ at which the would-be alchemists of the tale labour so diligently.(1) The phrase means to explain the unknown by the more unknown.