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Endless books have attempted to answer the question as to why the First World War broke out in summer 1914, and the centenary of the July crisis will no doubt prompt historians and popular audiences to further revisit the circumstances in which European leaders ‘sleepwalked’ into a military conflict of unprecedented proportions.
No exhibition can guarantee a museum a popular success, but the Vikings must surely offer a pretty good shot at it. Where often it is a challenge to establish the identity of an historical culture or phenomenon for a potential audience, absolutely no such problem exists for the Vikings, for everyone – even those who know nothing about history – knows about the Vikings.
For France, 2014 marks not just the centenary of the outbreak of the First World War, but the 70th anniversary of the D-Day landings in Normandy and the liberation of Paris after four years of Nazi occupation. Yet while the centenary of the First World War has been marked by consensus among historians and the wider community, the Second World War remains a subject of contestation.
The deluge that is the centenary of 1914–18 war is upon us. As the commemoration period rolls on over the next four, five or even more years – the centenaries of unveiling war memorials will take us well into the 2020s – the number of books, newspaper, magazine, TV, radio and online contributions is already greater than any one person might hope to keep up with – even should he or she wish.
200 years on, the figure of Napoleon Bonaparte continues to fascinate, and it is therefore no surprise to find that the bicentenary of his downfall has seen the publication of a number of major works by leading specialists in the Napoleonic epoch.
As Elizabeth Greenhalgh alludes to in the introduction of her well-researched and constructed monograph, The French Army and the First World War, common perceptions of France’s military experience between 1914 and 1918 have tended to be reduced to mere flashpoints of interest. Obvious examples would naturally include the Miracle of the Marne, Verdun and the 1917 mutinies.
Unsurprisingly, given the significant First World War anniversary that is now upon us, there has been a raft of new books on the conflict with a variety of foci; each aimed at different groups on the spectrum of amateur enthusiast to hardened academic scholar.
The comparative history of empires has become a very popular subject in recent years, provoking interesting debates on the origins of the globalization process and on the future of post-Cold War international relations.(1) The focus on empires has also provided a constructive way to reassess the role of Europe in world history, going beyond the traditional great narrat
‘Shackled to a corpse’ is a quote widely attributed to General Erich von Ludendorff, which allegedly describes the alliance between Germany and the Austro-Hungarian Empire.
At the end of Miklos Banffy’s entertaining panoramic novel of pre-WWI Hungary, the protagonist Count Balint takes a final tour of Transylvania before joining his regiment. It is a personal and private farewell to his childhood home and to a whole generation of Hungarian nobles, of which Balint/Banffy was highly critical.