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In The Ethnographic State: France and the Invention of Moroccan Islam, Edmund Burke does the important work of historicizing colonial-era research on Morocco and Moroccans.
One of the rare occasions on which a French Overseas Department has ever made both national and international headlines occurred in March and April 2017 when, over the course of one turbulent month, demonstrators filled the streets in towns in Guyane, French South America.
‘Risen from the ruins and facing the future’ affirmed Johannes Becher’s emphatic opening strophe to the national anthem of the German Democratic Republic (GDR), composed in that state’s birthyear of 1949. It was a stirring message, and one that amply reflected the political imperative that had come to suffuse the material task of reconstruction after six years of devastating war.
In Fear and Progress, Antonio Cazorla Sánchez has produced a first-class survey of life in the years of the Franco regime (1939–75). His compelling narrative is supported by insightful analysis into the nature of the regime and a welcome abundance of source material including oral history interviews and government documents.
In Colonial Al-Andalus, Professor Eric Calderwood explores the origin of a claim widely promoted in Moroccan tourism, arts, and literature and finds its roots in Spain’s colonial rhetoric.
In recent decades historians, postcolonial theorists and feminist scholars have demonstrated how, in a variety of geographical settings, gendered stereotypes supported the conquest and domination of overseas territories by European colonial regimes.
Writing in Macmillan’s Magazine a few years after the denouement of the Crimean War, Thomas Hughes, author of Tom Brown’s School Days, declared that this conflict’s ‘drama ...
Historians of the Cold War have long relished the incongruous image of the infamous July 1959 ‘Kitchen Debate’ that saw Soviet Premier Nikita Khrushchev and Vice President Richard Nixon debate the merits of their respective philosophies in a model American kitchen at the American National Exhibition in Moscow’s Sokol’niki Park.