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Britain’s role in the refugee crisis created by the rise of fascism has been examined from many angles, and not always critically. Early works did little more than extol British humanitarianism and celebrate refugee successes.
Hugh Chignell’s well-researched volume tells the story of the development of current affairs programming on British radio, which, we learn, is inextricably tied to the ‘painfully slow development of news’ programming on the BBC. To explain the significance of the separation and elaboration of these two forms of broadcasting, Chignell begins with the Victorian ‘rigid class hierarchies’(p.
This is a book about discourses – the conflicting ideological positions from which the idea of a region and culture in transition was formed and fragmented – not about how the Highlands were made ‘on the ground’. It is not a materialist account in the sense of being an empirical economic and social history.
The history of Britain during the two inter-war decades could be characterised by reference to a process by which, while the nation still clung to many of its pre-1914 imperial certainties (which in many ways still defined British identity), society was exposed to, and ‘Britishness’ to a degree undermined by, the forces of Americanisation.
This impressive book brings together two strands of media history to create a new narrative, attempting to explain how and why newspaper journalism in Britain and the United States was transformed between the 1830s and the first decades of the 20th century, establishing the popular style of journalism we know today.
Given the amount of excellent accounts of post-war Britain that have appeared in the past decade or so, one is tempted to state that readers of contemporary British history have never had it so good.
This is a decent book, in my judgment. That’s to say, it’s morally on the side of the angels, but it is not always on the side of the readers. Going through it was sometimes a bumpy ride and an appreciation of the merits of the book was too often baulked by one or other of a range of difficulties.
Useful Cinema begins on the perfect point, with the observation that films today ‘appear everywhere’, from ‘iPhone to Imax, from blog inserts to Jumbotrons’, so ‘becoming integral to our experience of institutional and everyday life’.
In the past 40 years the history of sexuality has gone from being an insurgent force, questioning the very nature of what can be studied as history, to an established part of the field. This book underlines that point, for it is rare today to find such a traditional political history.
Rachel Duffett has written a fine social history of British rank and file soldiers, or rankers, and their experiences of food during the Great War. She states, ‘The ranker’s relationship with food was a constant thread, woven throughout his army experience … every day, wherever he was, a man needed to eat’ (p. 229).