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Hardly had the fighting petered out on the Somme in November 1916 than one American reviewer, W. S. Rusk, was warning scholars that much writing about the Great War would be lost to the ‘winnowing flail of time’.(1)
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The cover of Jan Rüger’s Heligoland shows a small, forbidding and desolate rock surrounded by inclement seas and with no sign of human habitation. This unwelcoming glimpse of land from afar – as so often the case with islands – will prove to be misleading. It gives no sense of the history on a grand scale that is to come.
The Fear of Invasion: Strategy, Politics, and British War Planning, 1880-1914 / David G. Morgan-Owen
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One might be forgiven for thinking that British defence policy between the Napoleonic era and the outbreak of the First World War was always geared towards a large, continental commitment.
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The fate of prisoners of war (POWs) is now established within the mainstream of historical enquiry. As well as a growing literature on the subject, modules dedicated to studying the history of POWs are now a common feature on university history courses. The two books under review focus on British servicemen captured during the Second World War.
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Given that the shelves of those historians who specialise in the origins of the Second World War are figuratively groaning under the weight of works covering the topic of appeasement, it may come as a surprise to some when reading the preface to Appeasing Hitler that “while books on the Second World War have multiplied over the past 20 years, the build-up and causes of that catastrophe
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It is possible to talk today of a ‘public obsession with the Second World War’.(1) The preoccupation is one that generates lively academic debate. Yet bizarre though it may now seem, in 1950—just five years after the surrender of Germany and Japan—it was possible to write off the Second World War as ‘already but a memory’. (2)
Writing in Macmillan’s Magazine a few years after the denouement of the Crimean War, Thomas Hughes, author of Tom Brown’s School Days, declared that this conflict’s ‘drama ...