The SS-Helferinnenkorps, the women who volunteered to support the SS, and who formed a female Nazi elite, have to date been the subject of minimal research. Until now, very little was known about these women, where they came from, why they volunteered, how they were trained, where they worked, and what became of them after the war.
Michel Foucault famously asserted that sexual identity was a modern invention, remarking, ‘The sodomite had been a temporary aberration; the homosexual was now a species’.(1) For Foucault, the vocabulary and specificity of modern sexual identity were largely formulated under the impetus of 19th-century sexology.
Berenguela of Castile (1180–1246) is a figure who is often overshadowed by her famous relatives, including her grandmother Eleanor of Aquitaine, her sister Blanche of Castile and her son Fernando III of Castile and León.
This collection of essays edited by Debra Barrett-Graves provides new ways of interpreting the symbolic images through which Renaissance queens shaped their identity and royal authority. In bringing together different approaches and sources, the authors use the methodologies of several disciplines: literature, history, art history and cultural studies.
Theresa Earenfight’s new book, Queenship in Medieval Europe, stresses that the medieval royal court could be a woman’s world as much as a man’s.
While there has been sustained focus on modern women’s relationship to their culture and society, and, with the upcoming centennial commemorations of the First World War a surge of renewed interest in the art generated by the conflict, war-related imagery produced by women artists remains largely overlooked.
Elena Woodacre’s book on the five female sovereigns of the medieval Pyrenean kingdom of Navarre is a timely study considering the latest scholarship on politically active queens in medieval Iberia. This scholarship on ruling women, however, has focused predominantly on individual queens.
With essays detailing everything from the experiences of old women to an examination of convent music, The Ashgate Research Companion to Women and Gender in Early Modern Europe promises ‘a comprehensive and authoritative state-of-the art review’ of historiography pertaining to the lives of women between 1400 and 1800 (p. ii).
In the recent years, queenship has interested and fascinated numerous scholars.(1) While some queens, notably British and French ones, have already received interest from historians, this study is keen on shedding light on the female rulers of the Mediterranean.
The past two decades have seen a flourishing of scholarship devoted to female Catholic piety in early modern Europe, which has helped to balance the substantial historiography on women and the Protestant Reformation.