With the exception of pioneering work by Clarence Glacken , Keith Thomas and Alfred Crosby , very little has yet been written about early modern environmental thought . This has been partly determined by questions of definition .
At first glance, Virginia DeJohn Anderson’s Creatures of Empire is a welcome addition to the growing literature on the environmental history of early America; on closer observation, the work is very much more than this. Indeed, it is more a cultural history than an environmental history.
In the opening of his recent volume, Nature and History in the Potomac Country, historian James D. Rice informs his readers that the idea for the book began with what he perceived as a ‘hole in the map’ (p. 1).
In 1942, as Japanese forces swept through Southeast Asia, retreating British colonial officers decided to shoot the dangerous animals living in Rangoon Zoo and to release the harmless ones. Because of their own uncertain futures and limited supplies, they also killed the Zoo’s deer for meat to supplement their increasingly meagre diets.
Grootplaas, a produce farm that specialises in citrus and numbers around 900 hectares in size, is the subject of Maxim Bolt’s latest monograph, Zimbabwe’s Migrants and South Africa’s Border Farms: The Roots of Impermanence.
Ikuko Asaka opens this ambitious book by referencing the climatic and geographic rebuttal of black journalist and abolitionist Mary Ann Shadd.
How the West Was Drawn analyzes the relationship between Native Americans and the creation of maps of the western United States. To set the stage, Bernstein opens with a discussion of a modern controversy about maps, specifically Aaron Carapella’s Map of our Tribal Nations: Our Own Names and Original Locations.