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Historians of the Asian Cold War have often focused on the interactions between the United States and Communist China, treating the United Kingdom (UK) and the Republic of China (ROC) as secondary players eager to manipulate and restrain their respective friends and foes.
Since the 1960s, popular leisure has been studied by successive generations of British social historians. Questions of class, of culture and of identity have been central to the development of this literature. Celebrations of distinctively plebeian customs have contended with pessimistic analyses of mass culture as a form of social control.
Mark Hampton sets out to analyse 'the way in which British elites conceptualized the press between 1850 and 1950', examining the debates that helped to lead the British press to the point where 'informing readers and toppling governments, and never in boring fashion, could appear as the appropriate function of journalism'.
One of the strengths of the recent historiography of the First World War has been the shift in focus away from the Western Front towards a broader understanding of the conflict as a world war.
The crowd as a historical social phenomenon has of late been a much-neglected subject. Modern analyses of the crowd will be for ever be associated with the 'history from below' era of the 1960s, in which historians refuted the long-held position that the crowd could foster a primeval and psychological changing influence on its participants.
However much cartoon specialists might deplore the fact, the principal academic use of cartoons originally published in newspapers and magazines is as supporting illustrative material for primarily text-based enterprises.
Every prime minister's reputation combines a mixture of image and reality, and that of Wilson has all too often been the image of the wily, pipe-smoking fixer.
Matthew Seligmann's Spies in Uniform is an attempt to understand more fully the bases of British decision-making and policy from 1900–1914 in the light of a full investigation of the reports and work of the naval and military attachés in Germany.
Textiles and dress occupy a central position within the realm of material culture. Apart from fulfilling the basic human need for clothing and protection, textiles play important political, economic, and religious functions.
Although the First World War ended almost ninety years ago, it has become a truism to note that the echoes of that conflict continue to resound in Western culture.