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As this book begins (p. 1), the author marvels how the art of the Wycliffite Bible, one of the most popular books in late medieval England, has not been studied systematically. The answer lies in the historiography of the Wycliffite Bible. Kennedy suggests that the ‘Shadow of the Reformation’ has created a binary view of Wycliffite Bibles, linking them to heresy and illegality.
The Victoria History of the Counties of England, more commonly known as the ‘Victoria County History’ or simply the ‘VCH’, founded in 1899, is without doubt the greatest publishing project in English local history.
It has become a commonplace to assert that biographies are unfashionable these days. I’m not sure that’s entirely true, even for English history (female subjects certainly buck the trend), but there is no doubt that they are still the staple of Scottish history, particularly when it comes to the middle ages.
As Hugh Thomas points out in his introduction to The Secular Clergy in England, the secular clergy of medieval England are an unjustly neglected group.
This digital edition of the acts of the Scottish parliament is the latest product of a long tradition. The acts have been published in various ways over the centuries. In the Middle Ages, acts were sent as writs to sheriffs, with an order to make them known. In the 15th century, acts also began to be proclaimed publicly in head burghs.
The writings of John Wyclif (c.1330–84) do not make for easy reading.
Essay collections are always a mixed bag, and this one is more muddled than most. The warning signs are clear. The volume is part of a series ominously titled ‘Austrian Studies in English’. Six of the 15 essays were papers presented at a 2010 conference of the same name at the University of Vienna.
Desan’s fascinating book approaches the only seemingly obvious act of ‘making money’ by examining what it actually means to ‘make money’. While Desan does acknowledge the physical act involved in this process, such as the striking of coins and the printing of bills, her primary focus is to study what gave money value and validated it as a reliable medium of egalitarian exchange.
Reviewing this book is a challenge. The ‘handbook’ genre falls somewhere between that of an encyclopedia and that of the textbook but without the overall coverage, both of topics and details, of the former nor the communications-driven ‘narrative arc’ of the latter.
The funniest moment in the British Library’s wonderful Magna Carta: Law Liberty, Legacy exhibition comes towards its end, in a recent cartoon by Stephen Collins (sadly not reproduced in the excellent catalogue, but available