In 221 BCE the state of Qin eliminated the last of its rivals, putting an end to centuries' long endemic warfare of the Warring States (Zhanguo, 453-221 BCE) age. The First Emperor (Qin Shi Huangdi, r.
Reading the introduction to this book one may be forgiven for thinking that the title is somewhat misleading for a volume given to the examination of ‘the processes of the making and breaking of peace treaties and truces’, rather than to war (p. 1).
This is a very interesting volume, which aims to bring together the variety of contexts and genres in which ancient history was employed and studied during the Enlightenment.
Pompeii is the quintessential ghost story, frequently told by archaeological and literary scribes working together in symbiosis, not always for the good. In this multitude of ghost raconteurs novelist Robert Harris stands tall.
In the year 321 BC a powerful chieftain, known to history as Chandragupta Maurya, came to the throne of Magadha, one of the many north Indian states, in a part of India that is now known as Bihar.
Playing on the title of Robert Hughes's popular history of modernist art, The Shock of the New (1980), Larry Norman recreates that moment in 17th- and 18th-century France when the classical literary texts that Renaissance humanists had treated as timeless vehicles of cultural value, and so put at the core of European education, came to many to seem shockingly ‘primitive,’ even ‘barbari
In an age of crisis a late Roman bureaucrat offered a plan for reforming military recruitment and training to an unnamed emperor, who requested the project’s continuation.
As L. P. Hartley famously remarked in The Go-Between (1953), ‘The past is a foreign country: they do things differently there’. This was more prescient than he knew, for most of the English-speaking world now seems to view the past not merely as foreign but as totally alien – diverting at times, perhaps, but utterly irrelevant to them and their lives.
One can hardly imagine that several decades ago the concept of spolia did not yet indicate a field of widespread research in the history of architecture, art and archaeology. The title of this volume with 12 essays and a fascinating introduction, points to this change in research focus, since the value of reuse of objects and materials has not always been recognized.
The monumental importance of the exhibition Life and Death in Pompeii and Herculaneum lies not least in the staggering number of people it has reached.