In the late 1980s, a promising young African-American actor named Denzel Washington was asked to take a leading role in the movie, Glory. Directed by Edward Zwick, a white liberal, Glory told the story of a relatively minor action in the American Civil War.
With edits by the editors Chris Cotton, Peter White and Stephen Brooks.
Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater / Felicity Nussbaum
In her most recent publication, Felicity Nussbaum masterfully explores the relationship between the celebrated actresses of the 18th-century English stage and the changing economic and social mores of the period.
Wasteland with Words is a very welcome addition to the small number of academic books about Iceland’s modern history available in English. The few other works on modern Icelandic history are largely written in Icelandic for local consumption.
In Handley Cross, an early Victorian sporting novel, Mr.
Metropolitan underworlds, where the illicit and illegal rub up against the grime and extreme poverty of those at the bottom of society, have always fascinated contemporaries and later audiences. This is particularly true of the Victorian underworld in London.
Creating a Scottish Church: Catholicism, Gender and Ethnicity in Nineteenth-Century Scotland / S. Karly Kehoe
Midst the foe, and the stranger she seeks not renown
She courts not their smiles, and she heeds not their frowns
Could she only impart unto childhood and youth
The science of God, of religion, and truth... (p. 110)
‘International, intergenerational, and interdisciplinary’ (p. xv) is how Porterfield positions this ambitious collection which analyses caricature between 1759 and 1838. A product of a conference of the same name, the essays it contains fulfil this remit admirably whilst attempting to explain the rise of caricature.
ProQuest Historical Newspapers has been in existence for a decade. The version under review includes runs of 30 newspapers, predominantly from the United States, spanning the years 1764–2005 and totalling some 27 million pages.
Chocolate, writes Emma Robertson in the introduction to her monograph, ‘has been invested with specific cultural meanings which are in part connected to … conditions of production’ (p. 3). At the heart of this study is a challenge to existing histories: