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Working Women in English Society offers a fascinating insight into the numerous ways in which women engaged with the market economy in England between 1300 and 1620.
Anyone who has been researching or simply been interested in female monasticism in medieval England must have noticed a frustrating scarcity of primary sources which has resulted result in relatively meagre secondary literature. Paradoxically, we know more about the spiritual life of medieval nuns than we know about more mundane areas of their life.
This study connects the experience of domestic abuse to the historical development of family life from the Restoration until the passage of the Divorce Act 1857.
In the introductory chapter to her engaging book, Ruth Watts remarks on the 'dissonance' between women and science and the seeming paucity of scholarly literature on the subject. Upon deeper investigation, however, Watts soon discovers that she is mistaken.
It is a truth universally acknowledged and documented many years ago by David Cressy, that women in early modern England had far lower rates of literacy than men.
Until relatively recently the in-depth historical analysis of Scottish women’s lives has been the preserve of dedicated gender historians. Although it is fair to say that Scottish historians have recently begun to include the lives of women in their research, this is by no means extensive.
Johanna Rickman remarks that her book resulted from an apparently simple question: 'What happened to noblemen and noblewomen who engaged in extramarital sexual relationships?' (p. 1). She rightly insists that the answers shed light on the interactions of social status and gender, the role of the monarch, and relationships within and between elite kinship networks.
Medieval and early modern literature is full of magic. Invisibility rings, magicians, damsels with healing potions, love potions and many more characters and devices add colour and glamour to the stories, as well as moving the plots in interesting directions. There are also a growing number of recent studies that focus explicitly on the role of magic in these literary works.
The Rituals and Rhetoric of Queenship; Medieval to Early Modern is a collection of papers which originated in a conference held at Canterbury Christ Church University in August 2006.
In his new study of Anne Boleyn, George Bernard at no point defines the ‘fatal attractions’ to which his title refers. There is not even an assurance that no rabbits were harmed in the making of the book. Perhaps the title is deliberately polysemous, for we might think of at least six fatal, or metaphorically fatal, attractions exercised by the queen.