The reader coming to this volume expecting a major new biography of Henry VIII’s second and most interesting queen is likely to be disappointed.
The Rule of Women in Early Modern Europe is a collection of papers which originated in a 2005 conference at the University of Miami. The women examined in the essays include queens regnant, consorts and various regents all of whom exercised power either in their own right or through their marital or familial ties.
The Rituals and Rhetoric of Queenship; Medieval to Early Modern is a collection of papers which originated in a conference held at Canterbury Christ Church University in August 2006.
This collection of essays edited by Debra Barrett-Graves provides new ways of interpreting the symbolic images through which Renaissance queens shaped their identity and royal authority. In bringing together different approaches and sources, the authors use the methodologies of several disciplines: literature, history, art history and cultural studies.
Gemma Allen’s well-conceived and meticulously researched first book explores the ways in which themes of education, piety and politics interacted and impacted on the lives of the Cooke sisters in late 16th-century England.
On the second day of the Gender and Political Culture conference at the University of Plymouth, 30 August 2013, participants filed into the auditorium of the Ronald Levinsky Centre to hear a keynote speech given by the formidable Merry Wiesner Hanks.
The Name of a Queen: William Fleetwood’s Itinerarium ad Windsor is a valuable piece of research, as it publishes a very intriguing and little-studied source written in 1575. In analysing this source which is considered as both a ‘document and [a] fiction’ (pp.
Elena Woodacre’s book on the five female sovereigns of the medieval Pyrenean kingdom of Navarre is a timely study considering the latest scholarship on politically active queens in medieval Iberia. This scholarship on ruling women, however, has focused predominantly on individual queens.
Elizabeth I (1533–1603) has been the subject of many fictional representations, some as early as the 1680s, speculating about her private life. Theatre plays, novels and later also films explored the allegations made against her during her life-time, such as suggestions that the Queen was infertile, that she was malformed, or in fact, a man or a hermaphrodite (p. 355).
In Mediatrix Julie Crawford seeks to expand our understanding of women’s contributions to early modern literary and political culture. Crawford seeks to look beyond the concept of the woman writer to instead focus on the ‘startling range of women’s literary practices’ and the ‘collaborative nature of literary production’ in pre-modern England (p. 3, p. 4).