In spite of the time period implied in her subtitle, Ann Thomson’s book covers debates about the materiality of the soul from 1650 to the early 19th century. She deals with a vast range of thinkers – primarily in England and France, but also in the Netherlands.
In our age of climate change and peak oil anxiety, environmental problems loom increasingly large in politics as well as everyday life. Yet even if ecology were to become the preeminent science, it is difficult to imagine a future where the authority of nature will form a unified source of morality, aesthetic value, and scientific truth. Such a world seems irretrievably lost to us.
In recent years Ashgate Publishing has become one of the most dominant forces in the field of early modern studies, and the recent appearance of the impressive volume edited by Michael Hunter of Birkbeck College entitled Printed Images in Early Modern Britain: Essays in Interpretation (2010) is a case in point.
The term ‘early modern’ was introduced into mainstream historical analysis during the 1940s as a catch-all description for the changes that had occurred between the 16th and 18th centuries.
Perhaps because it was concerned with maintaining obedience and the status quo rather than provoking violent eruptions of religious fervour, Socianism has remained a relatively unstudied aspect of the pantheon of heterodox religious beliefs during the English Revolution.
The scholarship on the intellectual, religious and political history of early modern England presents a large use of terms such as ‘orthodox’, ‘deist’, ‘atheist’, ‘radical’, and their respective ‘isms’.
For those historians who have studied the English Reformation or the writing of polemics, histories and plays in the 16th century the name John Bale (1495–1563) appears high on the list of English scholars supporting a reformist agenda. Bale popularised the genre of martyrology for an English audience, later taken to its logical conclusion in John Foxe’s Book of Martyrs.
This volume collects and revises a series of articles by Patrick Collinson, which were first published between 1994 and 2009. It therefore systematically assembles a number of previously independent arguments, in order to provide a coherent vision of the way 16th-century Englishmen – and most of Collinson’s subjects are men – imagined their nation.
Over the last twenty years Richard Bentley’s star has, if not exactly risen, then at least been mapped.
Out of what materials was ‘Oliver Cromwell’ shaped? (1) To what extent was he self-consciously shaping and reshaping himself? Did he record those self-constructing manoeuvres with some insight and effect? Certainly his spiritual odyssey is documented although not as thoroughly as we would wish.