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What is a ‘Companion’ for?
This large edited volume on the history of post-1945 Europe is one of the latest additions to the extensive and steadily growing series of Blackwell Companions to History, whose volumes cover a wide range of fields in British, European, American, and World history.
To write a general history of two neighbouring countries spanning 100 years is no easy task. Furthermore, in 1905 Norway became independent of Sweden, meaning that there was no natural linkage between the two, geography apart.
It is a brave man who would take on the job of writing a history of Germany and the Holy Roman Empire between 1493 and 1806. Many historians would maintain that neither Germany nor even German national consciousness (certainly not German nationalism) existed during this period; as for the Holy Roman Empire, there is a long-running dispute over what it actually amounted to.
Whatever the medievalists might say when they think you’re not listening, 20th-century European history is hard, and post-1945 history can be the trickiest bit. The decades after 1945 are much less precisely understood, in historical terms, than the decades before. They are more subject to unchallenged platitudes and uninformed controversy: they are surrounded by white noise.
Neil Davidson’s substantial and erudite book is a concerted defence of the concept of ‘Bourgeois revolution’.(1) It is composed on a heroic scale. Numerous theorists, both historical and contemporary, are laid-out, discussed and critiqued with unflagging intellectual energy.
French revolutionary money is funny stuff.
The historiography of the French Revolution is a diverse and ever expanding field. It is an eminently useful idea to produce a guide to it, though not one Oxford University Press is alone in having.
There were times during the resurgence of the economic crisis in 2015 when it seemed as if ‘Greek-bashing’ had become a pan-European pastime.
Hannah Barker’s book is a thorough and engaging evaluation of late medieval slave trading practices in the Mediterranean. The tile is taken from the 15th-century recollection and denunciation of an Alexandrian slave market by Felix Fabri, a German friar (p. 209).