It is generally assumed that the digital revolution will spell the end for print journalism. Newspaper sales are in terminal decline as an increasing number of readers turn to websites, smartphones, and social media for their news and entertainment. However, while the internet may eventually kill off modern-day newspapers, it has managed to breathe new life into their ancestors.
Essay collections are always a mixed bag, and this one is more muddled than most. The warning signs are clear. The volume is part of a series ominously titled ‘Austrian Studies in English’. Six of the 15 essays were papers presented at a 2010 conference of the same name at the University of Vienna.
Fashion Prints in the Age of Louis XIV. Interpreting the Art of Elegance is the record of a symposium held in 2005, sparked by the Los Angeles County Museum of Art (LACMA)’s acquisition of a bound album of 190 hand-colored French fashion plates published between approximately 1670 and 1695.
The study of Spanish dress and fashion in the early modern period has generated exciting, innovative, and interdisciplinary scholarship in the past several years, and complements recent work devoted to historical dress, fashion, and textiles from distinct geographical locations and time periods.
This book, a collection of essays and articles ranging from 1963 to 2008, is published at an opportune moment, the year of the 500th anniversary of Francis I’s accession on 1 January 1515, a year marked by conferences, exhibitions and, indeed, bizarre re-enactments such as that of the battle of Marignano at Amboise and Romorantin.
The history of the Huguenot diaspora following the revocation of the Edict of Nantes has been widely chronicled. First, exiled Huguenots wrote narratives of their escape in order to preserve the memory of their hardship – no doubt at the prompting of numerous individuals eager to hear their compelling stories.
Readers of English who want to know more about the experience of the Greek Orthodox Church under Ottoman rule have generally reached for Steven Runciman’s The Great Church in Captivity, first published by Cambridge University Press in 1968.(1) As an introductory guide to the topic, the book has stood up very well over the years but inevitably some aspects of i
Guido Ruggiero’s new social and cultural history of Italy between 1250 and 1575 begins at the end of the world and ends at the beginning of the ‘Great Social Divide’.
Visitors to a new city, faced with a host of new sensations and sights, may find themselves wondering ‘How did this all get here?’ Pondering the origins of an established, yet amorphous entity like a city may overwhelm the average tourist, though it is an exercise familiar to historians.
Containing a diverse range of essays on the experiences of early modern women from female investors to indentured servants, Challenging Orthodoxies: The Social and Cultural Worlds of Early Modern Women is an important contribution to the growing body of research on early modern female experience. First presented at a conference held in honour of Hilda L.