What is a ‘Companion’ for?
Historical and anthropological encounters between culture and capital are conventionally staged in India, as elsewhere in Asia and parts of Europe such as Italy, as encounters between relationships and practices defined as cultural, and some set of definitional meanings, logics, institutions, and practices associated with capitalism and the market.
The Japanese Consumer claims to be an alternative economic history of modern Japan. I don’t think it is. It is an account of the place of consumption in the everyday life of the Japanese population, drawn largely from a rich scholarship that has become available in English during the last two decades.
Some years ago, in the midst of a conversation about tourism and travelling, a friend from one of Britain’s former colonies remarked how shocked she had been to see ‘white people begging’ during her first trip abroad to Australia.
In 1920, Sir Lionel Abrahams, an Assistant Under Secretary of State at the India Office, likened India’s finances in Britain to ‘rivers running into a lake on one side and so many rivers running out of the lake at the other side’.
Indigo plantation in India came under scholarly examination initially in the context of colonial oppression and the indigenous protest against it, as a part of the history of freedom struggle. Over the years, it has become an aspect of economic history and of the history of the peasant movement.
With contemporary Japanese-Korean relations so inextricably entrenched within contentious politics of national identity and divergent expressions of historical consciousness, Jun Uchida’s Brokers of Empire could not be a more welcome addition to the field of modern East Asian history.
In a review in this very forum in 2009 Clare Anderson praised a shift in Indian Ocean studies.
This week in Reviews in History we are focussing on a single book, Jon Wilson's India Conquered: Britain's Raj and the Chaos of Empire. We invited five reviewers to contribute to a round table discussion and take up different aspects of the book, with the author then responding to each in turn.