Some 70 years after the British left India it is timely to look back at how the kings and queens of the United Kingdom came to amass one of the largest private collections of South Asian art in the world. Two conjoined exhibitions currently showing at the Queen’s Gallery do just that.
Asian American studies in which the ‘American’ refers to Latin America have seen a considerable growth in recent years.
In 1899 the Straits Chinese physician and community leader Lim Boon Keng made the case that female education was beneficial to the community as a whole: ‘Keep your women in a low, ignorant and servile state, and in time you will become a low, ignorant and servile people – male and female!’ (p.
Penelope Fitzgerald’s historical novel The Beginning of Spring, set in Moscow in 1913 but written at the height of perestroika, conveys an ambivalence familiar to those of us who spent time there during the Gorbachev years.
‘The speed king of Asia’ (p. 472) is not an honorific normally associated with the subject of this new biography by Ramachandra Guha, the Indian historian, cricket writer, and journalist. It was found in a letter from a British Quaker admirer of Gandhi who had accompanied the 64-year-old on his vigorous campaigning tour through southern India in support of rights for Harijans