How should we read the Crusades? The question begs a host of others, not least how do we read them, in the light of how we have read them in the past. Beginning as a historian of how the Crusades were regarded in their own high mediaeval time, Elizabeth Siberry has more recently constituted herself the historian of how they have since been regarded in our own.
If one saw a wrong being committed in public, should one intervene? This basic moral question is at the heart of a significant body of Muslim scholarship, and forms the topic of Michael Cook's eminently learned and comprehensive study.
On 13 April 1204 the western or Latin armies participating in the Fourth Crusade conquered Constantinople, the capital of Byzantium. The approaching 800th anniversary of that event has generated renewed interest in the background, context and impact of that crusade, expressed in several new studies and in conferences.
Ottoman histories – better put: histories of the Ottoman state – have some right to be regarded in a pseudo-Braudelian sense as une historiographie du longue durée.
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The History of George Akropolites describes an exceptional period in Byzantine history, between the loss of Constantinople to the forces of the Fourth Crusade in 1204 and the reconquest of the city by Michael VIII Palaiologos in 1261.
The first, main title of this volume might seem to promise too little or too much—either a very superficial work of generalization, or a heterogeneous assortment of broadly grouped pieces too diverse and disparate to cohere.
Fighting for the Cross introduces the subject of crusading by exploring the experiences and ideas of individual crusaders travelling to the Holy Land between 1095 and 1291.
It is nearly a century and a half since Bernhard Kugler published the last substantial monograph devoted to the Second Crusade (Studien zur Geschichte des zweitenKreuzzugs (1)), a book which was disadvantaged by being printed in gothic typeface as well as academic German.
Agatha Christie’s 1970 novel Passenger to Frankfurt might seem like an unusual place to start a history of the Children’s Crusade in 1212. To capture the radical youth-culture of the 1960s lying at the heart of her plot, Christie invoked the Children’s Crusade as a familiar symbol of misguided and ultimately dangerous youthful folly.