This is a timely collection of essays that sets out to address a key relationship in early modern historiography.
Callum Browns excellent book on the historical origins and contemporary significance of Up-helly-aa, Shetlands winter fire festival, has recently won The Frank Watson Prize awarded by the University of Guelph, Canada, for being the best book of its year on Scottish history and no comment here will detract in any way from that impressive achievement; superlatives come to the
Worshippers at the main dominical services of the Church of England have, with greater or lesser frequency according to usage, custom, or personal inclination from 1549, and until the revision of the prayer book in 1980, publicly and collectively asserted their belief in 'The Resurrection of the body and the life everlasting'.
Two anti-Trinitarians shared the distinction in 1612 of being the last persons to be burned for heresy in England. The execution of Oliver Plunkett in 1681 was the last martyrdom of a Catholic on English soil. A Scottish student hanged for blasphemy in 1697 was the last person in the British Isles to be executed for his religious views.
Christopher Durston has produced here the sort of history which my generation of school students was brought up to regard as the norm, taking a celebrated episode of political and constitutional history and setting out to re-evaluate it by reading a broader and deeper collection of sources for it than ever before, in both local and national archives.
William Harrison was a prominent Elizabethan intellectual, best known for his ‘Description of Britain’, included in the second edition of Holinshed’s Chronicles (1587).
Wars of religion, for so long an embarrassment to humanist agendas within the academy, have suddenly become relevant again.
Reflecting the place of the Bible as the bedrock of medieval culture, biblical imagery was ubiquitous in medieval England, yet it has not hitherto been the subject of a comprehensive modern monograph. Such precedents as there were – notably M. R. James’s The Apocalypse in Art (London: British Academy, 1931) and F. Wormald’s ‘Bible Illustration in Medieval Manuscripts’, in G. W. H.
This study sets itself the task of restoring ‘the tarnished reputation that Henry VIII’s bishops have earned from contemporaries and historians alike’.(p. 7) From Francis Bacon, through David Hume, and into the twentieth century, historians have condemned the occupants of Henry’s episcopal bench as mediocrities and time-servers.
Margaret Cavendish, Duchess of Newcastle, laments the excesses of Puritan iconoclasm in her poem 'An antient Cross', first published in 1656 in Natures Pictures: