What a great idea! The only wonder is why no publishing house thought of commissioning a book on the topic before. The reader’s delight starts straight from looking at the cover illustration – a ‘translation’ of Harry Beck’s celebrated London Tube Map, in which Waterloo Station becomes Gare de Napoléon.
The sub-title says it all. This is a book about the elites of Belle Epoque Paris, primarily about the cultural elites, but also about their patrons, high society, industrialists and fashion designers, and all those who made the headline contributions to that Paris which sticks in the popular imagination.
A smile seems the most natural of emotional expressions. We smile easily and often unthinkingly; babies smile; it is, as Colin Jones notes in his introduction to this book, ‘the most banal and unremarkable of social gestures’. Or is it?
Ephemeral City. Cheap Print and Urban Culture in Renaissance Venice is surely one of the most significant and impressive works on early modern European print culture to have been published in recent years. Its author, Rosa Salzberg, is an Assistant Professor of Italian Renaissance History at the University of Warwick.
The World of the Salons is an ambitious book. It shoots loads of ammunition and promises much. An abridged version of Le Monde des salons: Sociabilité et mondanité à Paris au 18e siècle (Fayard 2005), this English translation includes the substantive material of the original book, minus the suavity of the original French prose.
Extraordinarily, Nick Daly’s The Demographic Imagination and the Nineteenth Century is the 97th book published in CUP’s ‘Cambridge Studies in Nineteenth Century Literature and Culture’ series, under the general editorship of Gillian Beer.
Comparative histories, especially between the Low Countries and Italy, have become common in recent years.
Visitors to a new city, faced with a host of new sensations and sights, may find themselves wondering ‘How did this all get here?’ Pondering the origins of an established, yet amorphous entity like a city may overwhelm the average tourist, though it is an exercise familiar to historians.
The name Medici is almost inextricably interlinked with the city of Florence and the idea of the Renaissance in both popular and scholarly imagination. The family dominated the Florentine republic politically for the better part of the 15th century and became, first, dukes of Florence and, then, grand dukes of Tuscany in the 16th.
Eli Rubin has written a wonderful book that does not just tell a fascinating story about an important but much neglected subject, but also manages to link this story to much broader historiographical, and indeed ontological, questions about the intersections between space, on one hand, and power, time and lived experience on the other.