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Some years ago, in the midst of a conversation about tourism and travelling, a friend from one of Britain’s former colonies remarked how shocked she had been to see ‘white people begging’ during her first trip abroad to Australia.
From the time that college students Bobby Seale and Huey Newton armed themselves and announced that they were going to patrol the police and fight police brutality, a cultural match was lit that sparked a revolution.
Eslanda Goode Robeson has lived under the shadow of her superstar singer, actor, and political pioneer husband, Paul Robeson for decades. However, Eslanda, known as Essie, was a dedicated activist intellectual, prolific writer, powerful orator, and world traveller.
With contemporary Japanese-Korean relations so inextricably entrenched within contentious politics of national identity and divergent expressions of historical consciousness, Jun Uchida’s Brokers of Empire could not be a more welcome addition to the field of modern East Asian history.
It would be all too easy to cast aside Camilla Schofield’s book, Enoch Powell and the Making of Postcolonial Britain, with an assumption that there is little new to say on the subject.
The modern state is defined by its capacity to classify and order its peoples, argues James Scott in his seminal Seeing Like a State. To do so, officials needed to count the population and estimate its future growth. Karl Ittmann explores the rise, fall, and frustrations of colonial demography in the 20th-century British Empire.
Historians of the British Indian army, with little exception, have argued that Indian soldiers, or Sipahis, were incapable of acting on their own: they were led into anti-British political activities by ‘outsiders’ (1), they were loyal because ‘others’ told them to be loyal (2), and they could not be disloyal to the British as the sol
Gavin Schaffer’s ambitious and important new book explores how British television dealt with and shaped multiracialism between 1960 and 1980. He sees television’s relationship to multiracialism, not primarily as a mirror to society, but rather as a ‘generator of social meaning’ and a ‘clear “site of struggle”’ (p. 2).
In 1942, as Japanese forces swept through Southeast Asia, retreating British colonial officers decided to shoot the dangerous animals living in Rangoon Zoo and to release the harmless ones. Because of their own uncertain futures and limited supplies, they also killed the Zoo’s deer for meat to supplement their increasingly meagre diets.
Histories of the fate of the Ottoman Armenians have long, and understandably, been dominated by two themes. Firstly, the quest for ‘proof’ of the genocidal intent behind the treatment of the Armenians in 1915.