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Samantha Shave’s new book assesses how policies under the old and new poor laws were conceived, implemented, and the effect that they had on poor relief. The book is an excellent addition to the historiography. It is well written and researched and contains important new findings on several key topics that have largely been ignored by historians.

Much like the American public, following the Civil Rights Movement of the 1950s and 1960s scholars of United States history have had a complex relationship with blackface minstrelsy. For scholars, as for many Americans, blackface minstrelsy partook in a vibrant and rich vernacular tradition, albeit one that by now most Americans have rightfully grown ashamed of.

The aim to cover, in a single monograph, patterns and trends in memory across early modern Europe is an ambitious one. Yet if anyone could achieve this it would be Judith Pollmann. This is an ambitious book in its chronological and geographical scope, but is also pioneering in providing a meta-narrative of continuity and change in early modern memory practices.

In 1833, after centuries of resistance and rebellion by enslaved people, decades of popularly-mobilized antislavery protests, and years of economic struggle on colonial plantations, England’s Parliament initiated the process of slave emancipation in the British Empire.

William Rosen never had the opportunity to have a signing for his new book that was just released this past May 2017. He never got to do a book tour for Viking, take questions at the end of a talk about source material, or see it for sale on Amazon.

The fight for marriage equality in the United States, which made significant progress in 2015 with the Supreme Court ruling that ‘no American can be denied the freedom to marry because of their sexual orientation’, highlighted that access to marriage has long been the privilege of those who conformed to normative ideas of sexuality and domesticity prescribed by the elite and powerful.

Some monographs feel as if they have slotted themselves – like a puzzle-piece – snugly into the picture presented by our extant historiography. And just like single parts of a complex jig-saw, these works often add brilliantly to the overall image.