In 2001, Frederick Cooper wrote that ‘globalization talk is influential – and deeply misleading – for assuming coherence and direction instead of probing causes and processes’.(1) Burbank and Cooper heed this warning and focus very clearly and ably on the causes and processes of global empire building in this new book.
This book was launched with great fanfare, a high number of editorial reviews from prominent academics, interviews, invited talks, web commentaries, and reviews in the mainstream media, including the Guardian, New Statesman, New York Times, The Scotsman, Economist, and Foreign Affairs.
The writing of history – any history – is shaped by the intellectual environment in which it is written, and by the preoccupations of its writers. As Christopher Tyerman acknowledges in his prefatory remarks, ‘writing history is not a neutral revelation but a malleable, personal, contingent, cultural activity’ (p. xi).
The English Parish Church through the Centuries is an interesting example of how digital media can be used to improve and enhance our understanding of the past.
This is a book which could very easily slip under the radar of most historians. Even had they noticed the title, and had their curiosity piqued by the sub-title, after checking the academic discipline of the author (Julian Rivers is Professor of Jurisprudence at Bristol University) many might well have decided that this book was probably of no professional interest to them.
In his new book Steven Pinker, psychologist at Harvard University, sets out to fundamentally alter our understanding of the trajectory of violence from pre-historic times to the present. He takes issue with the widely held perception that the most recent past, the 20th century, was an age of large-scale bloodshed and genocidal slaughter.
The History of Parliament is widely recognised as a monumental scholarly achievement. Since its origins in the dreams of Josiah Wedgwood in the early part of the 20th century, and then its establishment as a charitable trust in 1940 (with government funding from 1951), it has produced a voluminous output.
The Oxford Handbook of the History of Medicine appears at a critical moment for medical history; in a period when its practitioners are being forced to re-evaluate their aims and agendas in the face of shifting funding priorities and disciplinary angst. Just a few years, one leading medical historian publicly declared that medical history was ‘dead’, or was at least heading that way.
One can hardly imagine that several decades ago the concept of spolia did not yet indicate a field of widespread research in the history of architecture, art and archaeology. The title of this volume with 12 essays and a fascinating introduction, points to this change in research focus, since the value of reuse of objects and materials has not always been recognized.
The Ottoman Empire, over the course of its existence, evolved a cultural synthesis of strands coming from its Arab, Persian and Byzantine antecedents, as well as the folk culture of its constituent populations. Culinary traditions were part of this legacy, and the taste for sweets an ever popular and refined element, constituting a repertoire extending into modern Turkey and the Middle East.